Clip Rollback: If your edges appear to be lost or over-keyed, this setting can help try and recover them.The Clip Black works almost in reverse, reducing the issue of subject and foreground artifacts appearing in the background. Clip White and Clip Black: Adjusting the Clip White can help reduce issues of transparent and see-through subjects.It also adjusts how much blur is applied to the matte. Screen Pre-Blur: Can help smooth over any errors or issues with the edges of keyed footage.Screen Balance: This tries to offset issues occurring from unevenly lit background screens.Screen Gain: Controls how much of the screen color is removed.Alpha Bias: Can be used to try and offset issues from color imbalances when unlinked from the Despill Bias.
ADOBE PREMIERE KEYLIGHT PLUGIN SKIN
This can be particularly prevalent in skin tones and around the edges of hair.
This is all fine and dandy, but I really miss working solely from Premiere, and the vastly increased performance that it brings.Keying out backgrounds using a green or blue screen in After Effects becomes much simpler once you know the core settings of Keylight, the built-in keying plugin. This makes timeline performance horrendous, but the total rendertime is “only” around 2 hours and 30 minutes. Same workflow as above, but I just embed the AE project in Premiere instead of rendering from AE. Result is much prettier than UltraKeyĪE Project in Premiere Pro. Additional rendertime is two hours, bringing the total to five hours. This nets me no GPU acceleration at render, but timeline performance is great.
Put the rendered view in Premiere Pro, and work as normal. Apply the Keylight effect in aftereffects, render to 10Bit Cineform, which take around 3 hours to render. Rendertimes are great! 100% GPU usage, and around 15 min rendertime for a 20min clip, and an incredibly workable timeline.ĪE Render in Premiere Pro.
ADOBE PREMIERE KEYLIGHT PLUGIN PRO
Premiere Pro only: I apply keylighting in Premiere Pro via Ultrakey, and get a mediocre result. All material is shot in dnx hr hqx 4k on a Ninja Inferno For all three I use my greenscreen studio with 5 lamps – two front, two for the greenscreen itself, and the last for back lighting of the subject.Ĭomputer specs: 7700k 4.9Ghz, no AVX offset. I find myself in a bit of a struggle between After Effects powerful Keylight, and Premie Pros lesser Ultra Key.